Explore a curated collection of James Lesjak-Atton’s ongoing studio practice, functioning as a visual record of experimentation rather than a single resolved body of work. The page brings together a diverse range of paintings, sculptural objects, and hybrid forms, highlighting the artist’s fluid movement between two- and three-dimensional approaches.

Where painting and sculpture intersect, and where form, colour, and material are continually tested through an intuitive and process-driven approach.

Forms are often abstract yet suggestive, hinting at bodily, architectural, or object-like structures without settling into fixed representation.

The work explores perception as a shifting, subjective experience rather than a fixed truth. Through fragmented forms, layered colours and ambiguous shapes, the work reflects how imagery is interpreted differently depending on context, memory and perspective.